陈炉窑是耀州窑明清时期的中心窑场,一直延烧至今,规模大,范围广,窑场集中,器物装饰以彩绘技法最具特色,多样的彩绘形式随窑场发展而变化,丰富的纹饰在彩绘中形成自身特点。彩绘装饰不囿于自然形态的限制,超越绘画程式的约束,大胆构思,随意造型,注重情感体悟与宣泄,重视装饰纹样的意蕴与神采,是抽象与具象、写意与写实的高度统一。 Chen furnace kiln is Yaozhou kiln Ming and Qing dynasties kiln farm, has been extended to date, large-scale, a wide range of kiln field concentration, utensils decorated with the most unique painting techniques, a variety of painted forms with the development of the kiln farm changes, rich Decorations in the paint to form their own characteristics. Painted decoration is not limited by the natural form, beyond the constraints of the painting program, bold ideas, casual modeling, pay attention to emotional understanding and catharsis, pay attention to the decorative patterns of the implication and demeanor, abstract and figurative, freehand writing and realistic high degree of unity.