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韩少功文体破坏的过程就是一步步远离小说的过程,对他而言,文体破坏不仅落实到形式层面,且是内心一种精神牵引,文体之“变”和精神追问之“常”构成了作为整体的韩少功,显示了写作行为与生存实践之间的深层联系。在现代性和反思现代性思想资源日渐无力的当下,韩少功放低姿态回到知青地,企图和生活重建一种结实的联系,以寻找新的精神能量,这固然暴露了内心的困境,但彰显了明确的担当,其行为暗示了当代知识分子企图和现实重建精神通道的努力,并在复杂思想资源的动态流脉中促成精神主体的生成。
The process of Han Shaogong’s stylistic destruction is a step by step away from the process of the novel. For him, stylistic destruction is not only carried out to the formal level, but also a kind of spiritual traction, the “change” of style and the “constant” As a whole, Han Shaogong has shown the deep connection between writing behavior and survival practice. At a time when modernity and the resources for thinking of modernity are getting less and less energetic, Han Shaogong has lowered his stance back to educated youth in an attempt to reconstruct a strong connection with life in search of new spiritual energy, which of course exposes his inner predicament. However, It shows that the intellectuals are trying their best to reconstruct the spiritual channel of reality and leads to the formation of the spiritual subject in the dynamic flow of complex ideological resources.