读杨晓琳的书法作品时,很自然地想起唐代诗论家司空图评论诗歌的文字:『娟娟群松,下有漪流。晴雪满汀,隔溪渔舟。可人如玉,步蹀寻幽……』这段文字主要是对诗歌『清奇』风格所作的意象性描述。杨晓琳书法总体是清秀奇丽的,在线条的灵动韵律中显露出类似司空图诗评的意象,故也可以用司空图的评论加以概括。当然,文学的评论与书法的评论之间有一些距离,但也不无相通之处,若互相恰当借 Reading Yang Xiaolin’s calligraphy works, it is natural to think of Tang Dynasty poet Sikongtu commentary poetry: “Juanjuan Qun Song, there are Yi streams. Qingling full Ting, fishing boat across the river. It is a man of jade, walking in search of beauty ... ”This passage is mainly a pictorial description of the style of the“ singular ”poetry. Yang Xiaolin’s calligraphies are generally elegant and beautiful. The vivid rhythms of lines reveal similar images of the poems of Sikong’s poems. Therefore, they can also be summarized in the comments of Sikong. Of course, there is some distance between the commentary of literature and the commentary of calligraphy, but there is no difference between them.