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在中国古代的绘画之中,有一个特别的类别,即以文学名篇为题材的绘画。此类绘画以中国古典文学里著名的诗词文赋为创作的主题,将文学的语言转化为绘画的语言,通过描绘中国古典文学名篇之中的人物与境界,表现诗赋的精神气韵与哲理思想。此类“诗意画”源远流长,属文人画范畴。东晋顾恺之以曹植《洛神赋》为题材,创作了《洛神赋图》。这是迄今为止,我国最早的诗画结合并有题款的杰作,被认为是诗意画的开山之作。
Among the ancient Chinese paintings, there is a special category, that is, paintings based on famous articles of literature. Such paintings are based on the theme of the famous poetry and prose in Chinese classical literature. They translate the language of literature into the language of painting. By depicting the characters and realm in the famous Chinese classical literature, they show the spirit and philosophy of poetry and fu thought. Such “poetic painting ” has a long history, is a category of literati painting. Gu Kai in the Eastern Jin Dynasty to Cao Zhi “Luo God Fu” as the theme, created “Luoshen Fu map.” This is by far the earliest masterpiece of combining poetry and painting in China with inscriptions, and is considered as the poetic painting of the mountain.