前不久,我看了河北省京剧团演出的《唐太宗》。演员阵容齐整,唱、念、做、打都有一定的功夫,很是令人振奋。看过戏,使我产生了一些想法:要开创戏曲艺术的新局面,我们演员必须奋发图强。演员奋发图强,就要高标准,严要求,狠抓基本功。我认为一个演员的基本功不仅包括唱、念、做、打各方面的技巧,同时还要熟悉生活,提高文学素养,善于学习、融化兄弟剧种的以及各种艺术形式的优点。艺术是反映生活的,演员要是不熟悉生活,就没法子进行艺术创造。李少春在《白毛女》里演杨白劳,背身出场,跟着风声,几个倒步,似鹞子翻身,可又不是鹞子翻身,这是他体验了生活中老年人在顶头风中行走,站立不 Not long ago, I read the “Emperor Taizong” performed by the Beijing Opera Troupe of Hebei Province. The cast lineup, singing, reading, doing, fighting have a certain amount of effort, it is exciting. Watched the show, so I had some ideas: To create a new situation in the art of opera, our performers must work hard. Players work hard, we must high standards and strict requirements, pay close attention to basic skills. I think that the basic skills of an actor include not only the skills of singing, reading, doing and playing various aspects, but also being familiar with life, improving literary accomplishments, being good at learning and melting the strengths of various forms of art. Art reflects life, and if an actor is unfamiliar with life, there is no way to create art. Li Shao-chun played Yang Bailao in the “White-Haired Girl” and turned to appear. Following the wind, a few steps went on like a prickly peal, but he did not stand up. This was his experience of life in the head wind walking, standing