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对河北音乐会与西安鼓乐社的研究,一直是学界关注的重点。两地乐社无论在音乐本体(律调谱器曲)还是文化生态层面上均具有相当程度的一致性。形成这一文化现象的原因是什么?本文拟从国家制度层面对两地乐社的形成进行探究。一、乐社类型定位河北音乐会一般分为“佛教音乐、道教音乐、祭祀音乐”1,西安鼓乐社分为“僧、道、俗”三派2。从结社的目的、服务民间
The study of Hebei Concert and Xi’an Drum Association has always been the focus of the academic community. Both music clubs have a considerable degree of consistency in terms of music ontology (music tune-ups) and cultural ecology. What is the reason for the formation of this cultural phenomenon? This article intends to explore the formation of music clubs in both places from the perspective of national system. First, the type of music club Hebei concert generally divided into “Buddhist music, Taoist music, sacrificial music ” 1, Xi’an Drum club is divided into “monk, Tao, vulgar ” three factions 2. From the purpose of association, service folk