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本文尝试从海德格尔存在论视角,探讨弗罗斯特的“荒凉之域”、“熟悉了黑夜”、“不远也不深”和“大部分”等诗中独特的意境——空茫的艺术特征及其表现的存在论意义。空茫是主观体验和客观景物的结合,是弗氏有关诗歌意义在情境中显示诗学观的体现,也符合海德格尔有关在境域中领悟此在的观点,是诗性与哲思的完美结合;其表现的孤独和恐惧实际上是人对此在的切身体验和领悟。弗罗斯特的诗中人试图通过追寻视觉或听觉目标、寻找思想的关注点、尝试表达以及对“看”的强调以抵制空茫,克服或缓解茫然无措和孤独恐惧。
This essay attempts to explore the relationship between Frost’s poem “Desolate Lands”, “Familiar with the Night”, “Not Far Deep” and “Mostly” from the perspective of Heidegger’s Existentialism Unique Artistic Conception - Blank Artistic Features and the Existential Significance of Their Representations. Blank is a combination of subjective experience and objective scenery. It is Freund’s reflection that poetical meaning shows poetics in the context and also conforms to Heidegger’s idea of comprehending this in the realm of territory. It is the perfection of poetic and philosophical thinking Combination; its performance of loneliness and fear is actually human experience and insight in this. Frost’s poem tries to overcome the loss and loneliness by seeking visual or auditory goals, looking for the focus of thought, trying to express, and emphasizing “seeing ” to resist the blank.