东方美神双手托举着一个可爱的孩子。孩子当然要可爱了。意大利文艺复兴时期三杰之一的拉斐尔,他画的圣母圣婴我印象极深。圣母如一少妇,温馨茶色的双目,在联娟的修眉下闪着柔情蜜意,怀中的婴儿却目光有些凝滞、沉重,这是为什么?是技法问题,还是婴孩的基督就明白自己将来肩负的重任呢?不管怎样,我会让东方美神托举的孩子充满天真。孩子是自己的亲,近水楼台,我开始注意起孙女来了。人们常说隔代亲,但我对她的亲和爱, Oriental Beauty God with both hands holding a cute child. Of course, children should be cute. Rafael, one of the three Renaissance Renaissance, I was impressed by the Virgin Mary I painted. The Virgin, a young woman, with warm tan eyes, flashes tender affection under her eyebrows, her infant’s eyes are stagnant and heavy. Why is this a trick or a baby’s Christ who understands that she will shoulder the burden Anyway, I will make the East American God lifted children naive. Children are their own pro, near the water tower, I began to pay attention to granddaughter came. People often say that every generation, but my love and her,