在我国现阶段特定的音乐环境下,随着歌剧事业蓬勃发展,一方面歌剧演出活动日益频繁,歌剧人口迅速膨胀,歌剧表演急需系统理论研究的支持;另一方面,我国歌剧理论研究处于刚刚起步阶段,在研究思路、资料、手段、成果和人员储备上都比较匮乏,而现有的成果又多属于纯理论研究,对歌剧表演实践的直接指导性较弱,表演需求和理论研究之间形成了一道屏障。众所周知,实践活动只有在理论的正确指引下方能达到应有的高度。作为综合艺术的歌剧,其 With the vigorous development of the opera in our country at this stage of the specific music environment, on the one hand opera performances have become more frequent, opera population has expanded rapidly, and opera performances have been urgently supported by systematic theoretical research. On the other hand, opera theory in our country has just started Stage, the research ideas, data, methods, achievements and staff reserves are relatively scarce, and the existing achievements are mostly purely theoretical research, the direct guidance of opera performance practice is weak, the formation of the demand between performance and theoretical research A barrier. It is known to all that practical activities can only reach their due height under the correct guidance of the theory. As a comprehensive art of opera, its