陈丹青,上海人,身为一位画家、作家的同时,也是舆论领袖、公共知识分子以及鲁迅研究者,还是一位文化人,抑或是一位明星人物?答案显然是令人困惑的。这位年近六旬的老愤青自从归国以来,似乎已不甘于继续静坐在画架前,以艺术的方式取得话语权,而是把个人诉求转移到公共渠道,直接以针砭教育和时事,塑造出一个“爱说话,能说话,到处说话”的“愣头青”!而他十二年来留给外界的“语录”已然太多.远远涵盖了那些好事媒体对他的不断解读,而陈氏似乎也深知其身陷其中,不能自己,掌控不住自己口腔的陈丹青也最后把批评的目标转向了自己,借用陈丹青自己的话来说:他的绘画艺术到底是“退步”与“荒废”了! Chen Danqing, a native of Shanghai, as an artist and writer, is also a leader of public opinion, a public intellectual, a researcher of Lu Xun, a literary person, or a celebrity? The answer is obviously puzzling. Since his return to the motherland, the veteran angry youth nearly sixty years old seems to have been reluctant to continue sitting on the easel in an artistic way to gain the right of speech. Instead, he shifted his personal appeals to public channels and directly modeled on education and current affairs Out of a “love talking, talking, talking everywhere,” “Lengtouchin”! And his 12 years to the outside world “Quotations ” is already far too much coverage of those good media to him Chen also seems to know that he is trapped in them, can not control their own mouth, Chen Danqing finally criticized the goal turned to himself, borrowing Chen Danqing’s own words: his art of painting in the end is “Back” and “abandoned” it!