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自2011年影片《失恋33天》上映以来,面向都市青年观众的国产青春片《致我们终将逝去的青春》(以下简称“《致青春》”)、《小时代》、《非常完美》、《后会无期》、《匆匆那年》、《同桌的你》、《我的早更女友》等不断涌现,国产“青春片”这一原本并不成熟的电影类型在艺术和思想方面不断探索。短短几年内,中小成本制作影片对同类题材如此集中的关注,既群体性地构成了一道风格鲜明的艺术景观,又在市场
Since the release of the movie “Broken Hearts and Loving 33 Days” in 2011, the domestic youth films “Towards Us, Who Will Die Our Youth” (hereinafter referred to as “Youth”), “Little Times”, “Very Perfect ”,“ After the expiration of the period ”,“ hurry that year ”,“ you at the same table ”,“ my girlfriend more early ”and so on continue to emerge, the domestically produced“ youth film ”this is not yet mature movie genre in art And the ideological aspects of continuous exploration. In just a few years, small and medium-sized film producers have focused their attention on such topics in a concentrated manner and formed a distinctively distinctive artistic landscape in the market