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饼干盒、小熊饼、棒棒糖、百事可乐、荣莉清茶、小闹钟、六神花露水、川贝枇杷糖……当我们的目光与它们相遇,我们会久久地驻留在它们面前。在玫红、粉绿、湖蓝、橙黄色调营造的唯美氛围中,这些物品透过细密的线、晕淡的色、隐秘的数字以典雅、宁静和神秘紧紧地包裹着我们,柔和的光微微地颤动着,每一个画面部隐隐约约散发着芬芳。她用像女性刻意打扮的效果来制造画面的氛围,一种非自然的氛围,一种令人沉迷的芬芳,散发着女性阴柔的气质。于是,记忆与芳香通过色彩,味道一点点荡漾开来。70后的陈艾丽正是通过对现代消赞品的“日常记录”开始了她独特的原创艺术。饮料、甜食和日用品在现代城市生活中随处可见,“因为司空见惯,所以我们看不见”。这些物品遵守着质朴的秩序,镶嵌在世事巨变的缝隙间。然而艺术家对它们的再现触发了我们的记忆,就像《追忆似水年华》中
Biscuit box, bear cake, lollipops, Pepsi, Rong Li Qing Cha, small alarm clock, Liushen flowers, Chuanbei loquat sugar ... ... When our eyes meet with them, we will be a long time to stay in front of them. In the beautiful atmosphere of rose, verdure, lake blue and orange yellow tones, these objects tightly and gracefully, quietly and mysteriously enclose us with delicate lines, faint colors and secretive figures. The soft light Quivering slightly, each picture of a vaguely exudes fragrance. She used the effect of women’s deliberately dressed to create a picture of the atmosphere, a non-natural atmosphere, a fascinating fragrance, exudes a feminine femininity. As a result, memory and aroma through the color, taste a little rippling. After 70, Chen Aili started her unique and original art through the “daily record” of modern antiques. Drinks, sweets and daily necessities can be found everywhere in modern urban life, “because we see it so often we can not see it.” These items obey the simple order, embedded in the huge gap between the world. However, the artist’s reappearance of them triggers our memory, like in “Remembrance of the Past”