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阿彼察邦·韦拉斯哈古(Apichatpong Weerasethakul)在影像中对热带雨林不厌其烦地反复描摹、探寻,并且赋予其一种特别的氛围。我想解开这个谜团,为什么他如此着迷于这个世界——这个介于现实和虚幻、光与黑暗之间,如同海洋般深邃、神秘、可以吞噬一切也可以包容一切的场域?这个场域并非是用以怀旧抑或抒发乡愁的特定地点,阿彼察邦也并不想借此展示异域风情,或将之作为满足那些蒙上神秘色彩的对于“别处”的想象。那么,又是什么原因让他的作品如此受戛纳“金棕榈”的青睐?我认为这同样不能简单地指证为殖民地意识的怀旧意味。反复叠合、飘移的梦境-现实
Apichatpong Weerasethakul repeatedly paints, explores, and gives a special atmosphere to the rainforest in his images. I want to unravel the mystery and why he is so fascinated by this world - this is a field between reality and illusion, light and darkness, deep and mysterious as the ocean, that can devour everything and everything. Apabi does not want to show exoticism or use it as a mysterious image of “elsewhere”, not as a specific site for nostalgia or nostalgia. So, what is the reason that his work is so favored by Cannes “Palme d’Or ”? I think this too can not simply be characterized as a nostalgic connotation of colonial consciousness. Repeatedly overlapping, drift dreams - reality