自“新写实”小说之后,中国作家对于现实的理解便发生了近乎革命性的变化。然而,这种变化却是以降低主体写作姿态、消弭自我崇高意志为代价的。它由此导致的一个直接后果则是作家在现实面前彻底丧失了自由,或者说作家开始任由失控的现实惯性将自我带入无尽的深渊。这个深渊只能是黑暗的,也一定是冰冷的。于是,这一状态便被当成了现实本真的不二面目。于是,所谓“零度写作”以及“还原生活”之类的幻觉性认知概念被新奇炮制了出来。在这些作 Since the “New Realism” novel, Chinese writers have undergone nearly revolutionary changes in their understanding of reality. However, this change is at the expense of reducing the writing attitude of the subject and eliminating the lofty will of the self. As a direct consequence of this, the writer completely lost his freedom before the reality, or the real inertia of the writer starting to lose control brought himself into the endless abyss. This abyss can only be dark, it must be cold. As a result, this state has been treated as a reality. Thus, the so-called “zero writing” and “restoring life” and the illusion of cognitive concepts such as being novelty concocted out. In these works