鲍桂星是清代中叶的文学家,他师从吴定、姚鼐学诗文,成为桐城古文派的重要作家之一,因其进士及第后长期任职翰林院,使他的文学创作与批评,又成为桐城文风与翰苑文学结合的范例。鲍氏在赋学研究领域也取得了卓著的成就,其所编纂的《赋则》,选录自战国到清代的赋作,实因正翰苑赋体而为,对赋的本源、体用、修辞、格律、章法,都有着独特的思考。在选赋与论述中,他一方面注重辞赋格律为科考律赋提供津筏,另一方面自觉地运用桐城古文法指导辞赋创作,赞美气韵沉雄的风格,这也正是对长期以来应试律赋纤弱之病的拯救与反思。而《赋则》的选赋与评点所表现的兼融古、律的风格,正与嘉、道间文学会通思潮相契,彰显出时代特征。 Bao Guixing was a writer in the middle of the Qing Dynasty. He studied under the poems of Wu Ding and Yao Xun and became one of the important writers of the Tongcheng vernacular. Because of his jinshi and his subsequent long-term appointment with the Hanlin Academy, his literary creation and criticism, Has become an example of Tongcheng style of writing and John Court literature. In the field of Fu studies, he also made outstanding achievements. The “Fu Rule” compiled by him was selected from the Warring States to the Qing Dynasty, Rhetoric, metrical, chapter law, all have a unique thinking. In the anthology of Fu and discussion, on the one hand, he paid great attention to the character of Ci Fu to provide a pedigree to the discipline, while consciously using Tongcheng’s ancient grammar to guide the creation of Ci Fu, praising the style of Shen Yun, which is also a long-term test Rescuing and Reflecting the Sickness. However, the style of integration of both ancient and law embodied in the selection and commentary of “Fundamentals” is in line with the ideological trend of association between Ka, Tao and literature, which shows the characteristics of the times.