中国戏曲有一个特点,就是一个题材大家都用,一个故事历代改编,辗转成最隆重的赞美。所以对于同一个题材,常常是多个剧种,甚至同一剧种的不同时期,都有不同的剧目出现。所以我常常觉得,看中国戏曲,可以一簇一簇地看,这样才有比较,比较后才更有味道。就拿大家都熟悉的《窦娥冤》故事来说吧,提起它来,大家马上就会想到元代的关汉卿创作的杂剧,其实这个故事的渊源颇为古老。最早见于西汉刘向的《说苑》,其中记载了一个故事,说的是一个叫于定国的人,他在东海郡做狱吏的时候,遇上了一桩奇案。有一个孝妇,年少守寡,也没有孩 Chinese opera has a characteristic, that is, a subject we all use, a story adapted from the previous generation, was removed into the most solemn praise. So for the same theme, often multiple operas, even at different times of the same drama, there are different repertoire. Therefore, I often think that if we look at Chinese opera, we can look at it in clusters and compare with each other to make it more tasteful. Take everyone familiar with the story of “Dou E injustice”, bring it up, we will immediately think of the Yuan Dynasty Guan Hanqing novels, in fact, the origin of this story is quite ancient. The earliest seen in the Western Han Dynasty Liu Xiang, “said Court,” which records a story, said to be called a person who set the country, he did in the East China Sea Prefecture officials, encountered a strange case. Have a filial, young and widowed, no children