鲁迅作为过渡时代的作家 ,同时受到民族、西方、现实等文化的影响 ,因而 ,我们不能仅仅看到西方文化给鲁迅的文化心理所带来的变化 ,也应看到民族传统文化在鲁迅心理上的积淀。鲁迅在面对自己、时代和文艺时所采取的务实态度 ,就体现着儒家传统中的尚用思想。鲁迅在五四时期对待儒家传统问题上的激进表现 ,实际上只是为了实现某种并不激进的历史目的的务实选择 ;鲁迅在许多问题上都不肯调和 ,与儒家的“好善而恶恶 ,是是而非非”的“中道”思想关系极大 ;鲁迅在文艺上强调社会功能与审美价值的统一 ,但这种统一又是认为文艺的历史功能应该在审美的构架中来实现。在文艺自身的这两种因素中 ,历史功能是重心 ,审美价值是手段 As a writer in the transitional period, Lu Xun was influenced by ethnic, western and realistic cultures at the same time. Therefore, we can not just see the changes brought by western culture to Lu Xun’s cultural psychology. We should also see that the traditional culture of the nation is psychologically influenced by Lu Xun The accumulation of. The pragmatic attitude adopted by Lu Xun in dealing with himself, the times and the literature and art embodies the still-used ideology of Confucian tradition. In fact, Lu Xun’s treatment of the radical manifestations of the Confucian tradition in the May 4th period was only a pragmatic choice to achieve some sort of non-radical historical objective. Lu Xun refused to reconcile on many issues, and Confucianism’s “good and evil , ”Yes“ rather than ”non-intercourse"; Lu Xun emphasizes the unity of social function and aesthetic value in literature and art, but this unification also holds that the historical function of literature and art should be realized in the aesthetic framework. Among the two factors of literature and art, the historical function is the center of gravity and the aesthetic value is the means