论文部分内容阅读
本文通过对敦煌遗书中上梁文和入宅文的释读,指出敦煌上梁文并非工匠上梁时的祷文,而是上梁宴会中博人一笑的曲艺节目。文章联系敦煌遗书中相关建筑文献,指出10世纪敦煌地区营建活动中,上梁仪式已被入宅仪式所取代,寺院僧人的法事活动压制了工匠巫术,故而敦煌的上梁仪式不具巫术功能,转化为世俗宴会活动;工匠巫术也被佛教压制,转化为单纯的技术工人。
This article through the interpretation of the Dunhuang posthumous book Shang Liang Wen and into the house text, pointed out that Dunhuang Shang Liang Wen is not a craftsman Shang Liang’s prayer, but in the Banquet Ban Bo laughed in the art show. The article contacted the relevant architectural documents in Dunhuang’s suicide note. It pointed out that during the construction activities in Dunhuang in the 10th century, the Shangliang ceremony had been replaced by the entrance ceremony, and the Buddhist monks’ religious activities suppressed the craftsman’s witchcraft. Therefore, Dunhuang’s Shangliang ceremony had no witchcraft function. It is transformed into a secular banquet event; craftsman witchcraft is also suppressed by Buddhism and transformed into a simple skilled worker.