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《不幸》与《万尼亚舅舅》具有显在互文关系,且与《雷雨》存在隐在互文关联。《不幸》的互文性表明作家对中外现实主义精神传统的自觉皈依,其对人物精神世界的探究突出表现为对革命者伦理状况的质询,小说由此突破政治意指的单向表述,获得人性追问的伦理意义。《不幸》的创作践行着“探求者”社团的文学纲领与文学主张,是代表其创作实绩的标志性文本。就当代文学史意义而论,《不幸》是“双百”时期中国大陆文学界普遍的文学反思与文学探索的一项创作成果。就作家文学道路论,《不幸》与高晓声后期创作在现实主义文学精神上前后接续,它奠定了作家一生创作的基本精神。
“Unfortunate” and “Uncle of Vania” have obvious intertextual relations, and with the “Thunderstorm” there is a hidden intertextual association. The “unfortunate” intertextuality shows that the writer converts himself to the spiritual tradition of Chinese and foreign realism. His inquiry into the spiritual world of characters highlights the ethical situation of the revolutionaries. From this, the novel breaks through the unidirectional expression of political meaning to obtain Ethical Significance of Humanity Questioning. Unfortunate creation practices the literary program and literary ideas of the “Seeker ” community, and is a landmark text on behalf of its performance. As far as the significance of contemporary history of literature is concerned, “unfortunate” is a common achievement of literary reflection and literary exploration in Chinese literary circles during the “Double Hundreds” period. On the writer’s literary theory of the road, “unfortunate” and Gao Xiaosheng’s post-writers succeeded one another in the spirit of realism literature, laying the foundation for the writer’s life creation.