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凡文艺创作之真品,莫不随心而得之。刻意经营,想到这个规矩那个规矩,这条限制那条限制,哪个字能惊人,哪一篇能传世,到头来必然自缚于茧,化着昏眠之蛹。屈原的无羁多义、生动鲜活,陶潜的悠然南望、归返自然,李白的醉酒高歌、江河奔泻,雪芹的椽笔奋扫、块垒喷发,皆随情随意随物随势之挥洒也。袁枚用三百两月薪买下荒芜的隋家花园并更名为“随园”:“随其高为置江楼,随其下为置溪亭,随其夹涧……,随其湍流……,随
Where literary and artistic creation of the real thing, can not be derived from heart. Deliberately operating, think of the rules that rule, this limit that limit, which word can be amazing, which can be handed down, will inevitably be tied to the end of the cocoon, a sleeping pupation. Qu Yuan’s unrestrained righteousness, vivid and lively, Tao Qian leisurely look south, return to nature, Li Bai’s drunken singing, the rivers and streams, snow Qin rafters pen sweeping, block base eruption, all along with the random casually with the potential of the sway and also. Yuan Mei used three hundred and two monthly wages to buy the barren Sui Garden and changed its name to “Sui Garden”: "With its height as a river house, with its next Zhixi Pavilion, with its stream folder ... ..., with its turbulent ... ... With