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在绘画历史的演绎中,油画作为一种出现方式,在东方和西方美术的表现领域内有着不可替代的重要作用,它经过了萌芽、独立存在、传承发展以及不断演变的过程。同时,在19世纪当时的现实主义盛行的时代下,人文精神表现尤为突出。后世的法国现实主义风景画(巴比松画派)和其他的现实主义的风景画创作在创作形式、内涵文化以及手法创新上都受到很深的影响。19世纪出现的现实主义画派,其创作是在借鉴和继承以往画家大师们的经验基础之上,以现实主义思想为核心,提倡还原最真实的风景创作,使创作情感与风景共存共生,以达到创作情感与风景的和谐共存。由于风景画创作源于现实而高于现实,现实主义的创作观点也是风景画家必须遵循的基本方针。由此看来,探寻我国现实主义画派的发展之路,对19世纪现实主义的画的人文价值和相关研究显得尤为重要,同时也具有深刻的现实意义。
In the deduction of the history of painting, oil painting, as a mode of emergence, plays an irreplaceable and important role in the field of the performance of oriental and western art. It has undergone a process of germination, independent existence, inheritance and development, and evolving process. At the same time, humanistic spirit was particularly prominent in the era of realism prevailing in the 19th century. Later generations of French realist landscapes (the Barbizon School) and other realist landscape paintings have been deeply influenced by the creative style, the culture of content and the innovation of techniques. The 19th century realism painting school, whose creation is based on drawing on the experience of past masters of painters and taking realism as the core, advocates the restoration of the most authentic scenery creation, so that the creative emotion and the scenery coexist in order to Achieve the harmonious coexistence of creation emotion and scenery. Since the creation of landscape paintings is higher than reality due to reality, the creation of realism is also the basic principle that landscape painters must follow. From this, the exploration of the development of the realistic school of painting in our country is of great importance to the humanistic value and related research of realist painting in the 19th century, and it also has profound practical significance.