以往的古代书画展览,常常重视作品呈现,学术研究易被忽视。展品介绍,也多仅限于作者、年代、藏地等基本信息,有赏析也多概而言之、蜻蜓点水。大部分参展观众,要么在展出画作前无所适从,要么只能流于表面。展览简单苍白,一个重要原因在于研究者只活跃于小 In the past, ancient paintings and calligraphy exhibitions often attached importance to the presentation of works, and academic research was easily overlooked. Exhibits, but also mostly limited to the author, age, possession of other basic information, appreciation also generalizes, superficial. Most of the participating audiences either have no idea what to watch before they exhibit their paintings or they can only be superficial. The reason why the exhibition is simple and pale is that the researchers are only active in the small