论文部分内容阅读
在对中国 2 0世纪文学的回顾和反思中 ,语言的更新及其观念形态 ,就象一条波光闪动的河流 ,不断变幻着自己的色彩。我们不可能设想它有一个理想的终点 ,一劳永逸地解决中国文学所面临的一切问题 ,获得一个永远的艺术乌托邦的归宿 ,但是我们却能从中感到一种蕴藏在艺术创作和批评中的原生的欲望 ,这就是对诗意的追想和追寻。也许对艺术创作和文学发展来说 ,语言决不仅仅是语言 ,它连接并牵动着人的身体、欲望、理想和自我未来的认定 ,而且与时代文化语境及其观念的变化有着密不可分的关系 ,同时不可否认的是 ,这一切最终又还得回到语言及其变化中来。
In retrospect and reflection on the literature of China in the 20th century, the renewal of language and its concept and form are like a flashing river, constantly changing its own color. We can not imagine that it has an ideal end to solve once and for all the problems facing Chinese literature and to obtain the fate of a permanent utopia of art. However, we can feel a native desire contained in artistic creation and criticism This is the pursuit and pursuit of poetic. Perhaps for artistic creation and literary development, language is by no means merely a language. It connects and affects the determination of human body, desire, ideal and self-future, and is closely linked with the change of cultural context and concept of the time Relations, at the same time it is undeniable that all this eventually has to return to the language and its changes.