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仔细观察李小镜的成长过程.你就会发现.他勇于在不同的阶段挑战自已。早年曾经以商业摄影以及报道摄影享誉国际的李小镜.在20世纪90年代.为了将视觉张力以及个人观点融入摄影.开始以数字元元元影像技术创作。麦金塔计算机在影像处理方面的特长.让他如鱼得水.从1993年的《十二生肖》系列开始.接连着1994年的《审判》、1995年的《缘》一直发展到1996年的《108众生像》,李小镜的创造力在计算机时代如虎添翼.一发不可收拾。这些扣人心弦的半人兽肖像作品,引发了各界广泛的注意与讨论.并且在世界各地展出。
Carefully observe the growth of the mirror, you will find that he has the courage to challenge themselves at different stages. In his early years, he was internationally acclaimed as a commercial photographer and reporter for photography. In the 1990s, he began to create digital yuan meta-images in order to bring visual tension and personal perspective into photography. The Macintosh computer’s expertise in image processing has allowed him to be a duck, starting with the Zodiac series of 1993. Following the 1994 trial, the “fate” of 1995 has been extended to 1996’s “108 Beings like ”, Li Xiaoguan creativity in the computer era even more powerful. These exciting portraits of half-human beings have drawn wide attention and discussion from all walks of life and are exhibited all over the world.