赵玫的长篇小说新作《铜雀春深》,题目昭示着她有意借用曹操晚年宴乐之所“铜雀台”原始意象的创作动机。因为根据加拿大文学批评家佛莱的神话原型理论,原型可以是意象、主题、象征、人物、情境,也可以是结构单位。“铜雀”的意象是帝王和朝政的象征,有帝王的地方就有至高无上的权利,而春深则是被囚禁在权力结构中的女性基本的文化处境。在现代社会中,帝王政治虽然解体,但性别政治的基本结构并没有根本改变,被体制 Zhao Mei’s new novel, “Tung Chun Deep,” promulgates her intention to borrow the motive of Cao Cao’s late years to create the original image of “Tongchai”. Because according to the mythological prototype theory of Foley, a Canadian literary critic, archetypes can be images, themes, symbols, characters, situations, or structural units. The image of “bronze bird” is a symbol of emperors and government affairs. There is a supreme power in places where emperors have, while Chun-Sang is the basic cultural situation of women imprisoned in the power structure. In modern society, while imperialism disintegrated, the basic structure of gender politics did not change fundamentally. It was institutionalized