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在电影界,肇始于安德烈.巴赞的“反对意识操控”之声一直不绝于耳,但遗憾的是通过电影实施意识操控依然在当前的美国主流大片中畅行无阻。究其原因在于:美国主流大片顽固地坚守着一个恒久不变的“超稳定结构”。美国主流大片的秘密在于:在吸收别国资源、研发新技巧的基础上,以四种根本的蒙太奇形式交织运作的“超稳定技术结构”为依托,在制造空前的“视听震撼”的同时,讲述一个具有“超稳定神韵结构”的故事。其神韵结构的实质则是一种来源于《圣经》的“基督教—民主国家”理念,美国主流大片便是这个理念超时空“再现”的途径。由此形成一种以解放视听和想象、制造崇高为基础的隐秘意识操控,从而使美国主流大片带有深层的纳粹性,表现为一种隐性的“电影法西斯主义”。
In the movie world, Andrea Bazin’s “anti-conscious control” has been heard all the time, but regrettably, awareness-raising through movies remains unimpeded in the current mainstream American movies. The reason for this is that the mainstream American clingy stubbornly sticks to a permanent “ultra-stable structure.” The secret of the mainstream American movies is that based on the absorption of resources from other countries and the development of new techniques, we rely on the “ultra-stable technological structure” in which four fundamental montages are interlaced and operate, creating an unprecedented “audio-visual shock” “At the same time, tell a story with ” super stable charm structure “. The essence of its charm structure is a kind of ”Christianity - Democracy“ idea derived from ”the Bible“. The main stream in the United States is the way of this idea to be super-space-time and ”reproduction.“ Thus a manipulative control based on liberation of audiovisual and imaginary, manufacturing lofty, so that the mainstream of the United States with a deep Nazi, as a hidden ”film Fascism."