在20世纪的中国画坛,主张中西融合几乎成了那个时代的风尚,然而被后人称为国画四大家的吴昌硕、齐白石、黄宾虹、潘天寿,却一直走在一条借古开今的路上。他们的国画主张保持传统绘画风格,具有非常独特的个性。与吴昌硕、齐白石、黄宾虹相比,潘天寿是晚辈,但他在二十几岁便已形成独有的绘画风貌,至不惑之年,画风完全成熟,不仅在国画创作方面,还在理论、书法、诗歌、教学等方面,都有杰出的建树。潘天寿的一生都在努力探索绘画风 In the 20th century Chinese painting, advocating the fusion of Chinese and Western cultures has almost become the style of that era. However, Wu Changshuo, Qi Baishi, Huang Binhong and Pan Tianshou whom the posterity call the four major Chinese paintings have been walking on the road that has been borrowed from ancient times. Their traditional Chinese painting maintains the traditional style of painting and has a very unique personality. Compared with Wu Changshuo, Qi Baishi and Huang Binhong, Pan Tianshou is a younger generation, but in his twenties Pan has formed a unique style of painting. His painting style is completely mature. His theory of painting is not only in the aspect of traditional Chinese painting, Calligraphy, poetry, teaching, etc., have outstanding achievements. Pan Tianshou’s life is hard to explore painting style