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艺术离不开创新,作为有着悠久历史传统的中国画如何“笔墨当随时代”是每一个艺术工作者的思考,这种思考也延续到国画教学当中。是“人云亦云”还是“不知所语”甚至是“胡言乱语”?深入生活、体悟生活的创作思想在当下是否过时?依仁游艺、画品本于人品的要求是否过于局限?作为大学国画教师如何给出一个正确的方向?抑或是“条条大路通罗马”?对于这一连串问题,文章通过“迁想妙得”、“依仁游艺”两大方面进行阐述,明确国画专业大学生创作主旨,指出中国画创作的基础是迁想妙得的意象造型;学生要向高的精神境界、人格境界追求;学生最终以笔墨为载体表达心中所存,这才是国画创作的正道。
Art is inseparable from innovation. As a Chinese painting with a long history and tradition, how to make ink and wash with the times is the reflection of every artist, and this thinking also extends to traditional Chinese painting. Is “people just like the clouds ” or “I do not know what language ” or even “nonsense ”? Too much limitation? As a college Chinese painting teacher how to give a correct direction? Or is “all roads leading to Rome?” For this series of questions, the article through the “wonderful”, “” according to Ren entertainment " Two major aspects of the elaboration, a clear idea of the creative major of Chinese painting students, pointed out that the foundation of Chinese painting is the image of the wonderful imagination; students to the high spiritual realm, the pursuit of personality realm; students eventually pen and ink as the carrier to express the heart of the deposit, which Is the right way of Chinese painting.