城市雕塑作为城市公共艺术的重要组成部分,不管它是否承载了一个城市的文化、历史,是否完成了妆点和美化环境的使命,但它一定是公共文化的产物。无论它的面貌如何,我们都能解读它蕴含于内的文化基因。城市雕塑如同一面镜子始终折射一个时代的公众化程度;它又如一张试纸检验着我们的文化判断能力。就单纯艺术创作而言,艺术家个体的创作行为可以保持学术范围的前沿性和纯粹性,一但将 Urban sculpture as an important part of urban public art, whether it carries a city’s culture, history, whether to complete the task of decorating and beautifying the environment, but it must be a product of public culture. No matter what it looks like, we can interpret the cultural genes it contains. Urban sculpture, like a mirror, always reflects the degree of popularization of an era; it is like a test strip testing our cultural judgment. As far as pure art creation is concerned, the artist’s individual creative behavior can maintain the frontier and purity of academic scope.