《生死场》用一种触目惊心的笔调描绘出上世纪30年代东北农村的悲惨景象。在《生死场》中,通过女性这一乡土社会中最底层人物的视角所展示的是作为地狱景象的乡土空间,其中对“男权”的针对性批判显得较为模糊;而小说中女性试图摆脱当前生活状态的各种模式的失败,则继续增添着小说的轮回感与绝望感,主导着整部小说的悲剧倾向。 The “field of life and death” depicts the tragic scenes of the northeast rural areas in the 1930s in a shocking style. In the “field of life and death”, the perspective of the lowest-level female in the native society shows the local space as a scene of hell, in which the targeted criticism of the “male power” appears rather vague; while in the novel, The failure of various modes of trying to get out of the current state of life continues to add the sense of reincarnation and hopelessness to the novel, which dominates the tragedy tendency of the entire novel.