上梁文是中国古代音乐文学的重要组成部分,其盛行于宋代,在金元社会获得了继续发展。与诗、词、歌、赋这类主流的音乐文学形式不同,上梁文作为颇具民间色彩的文体一直未得到应有的重视。在历经金末元初和元中后期两个时期的发展过程中,上梁文从宋代渐趋雅化和个性化的路径中脱离出来,逐渐发生了由主流向民间、由抒情性向实用性、由文学性向音乐性的复归,从而使上梁文的音乐文学属性得以重新彰显。 Liang Liangwen is an important part of ancient Chinese music and literature, prevailing in the Song Dynasty, and gained continuous development in Jin and Yuan Dynasties. Different from the mainstream forms of music and literature, such as poetry, poetry, song and fu, Liang Liang’s style as folk style has not received the due attention. In the process of the development of the two periods from the beginning of Jin dynasty to the early Yuan dynasty and the middle and late Yuan dynasty, Liang Liang-wen broke away from the path of getting elegant and individualized in the Song Dynasty, gradually emerged from the mainstream to the folk, from the lyric to the practical, From the literary nature to the return of musicality, so that Liang Liang’s music and literature attributes can be re-highlighted.