20世纪80年代以来,“学院艺术”与“前卫”形态的实验艺术一直是中国艺坛的两种景观,有学者认为两者是“家园”与“江湖”的关系。“家园”与“江湖”的冷战曾持续多年,一度形成“体制——反体制”的对立关系。但后来它们又常以相对单纯的面目联手对抗市场负面效应的侵蚀和肤浅时尚潮流的影响。客观地说,学院艺术与实验艺术是互为渗透、互为补充的,它们一起面对当代文化的种种问题,共同编织了中国当代艺术史的脉络。 Since the 1980s, the experimental art of “college art” and “avant-garde” has always been the two landscapes of the Chinese art scene. Some scholars think both are “homeland” and “rivers and lakes” relationship. The “Cold War” between the “homeland” and the “rivers and lakes” has lasted for many years and once formed the antagonistic relationship between “system and anti-system”. Later, however, they were often joined by relatively simple ones to counter the erosion of the negative market and the impact of superficial fashion trends. Objectively speaking, college art and experimental art are mutual infiltration and complementing each other. Together, they face the problems of contemporary culture and jointly weave the context of the history of contemporary Chinese art.