撷取台湾本土的视觉影像及援用鸟类形态、群性、生态适应等,作为个人内心世界外显的象征元素,来形构个人绘画理想,选择以台湾鸟类作为绘画符号与元素,是文化认同与地方特色的坚持。笔者的创作,在内容上由台湾当地背景为多元文化的书写内涵,以综合媒材的并陈与融合为技法,形式上以意象组构的手法,水印木版肌理为画作主要形式与骨架,来呈现当代水墨画创作中,自然生态与人文关怀及多元文化共融的议题,以百啭千声随意移之观念作为鸟类自由置放及媒材形式多面相的思考。这个系列的作品以“原生意象”为题,融合台湾本土 Capture Taiwan’s local visual images and avail himself of birds’ morphology, sociality and ecological adaptation as the symbolic elements of the outward appearance of the individual’s inner world to shape the ideal of individual painting and to choose the birds of Taiwan as the symbols and elements of painting and the culture Identity and adherence to local characteristics. The writer’s content is composed of the local background of Taiwan as the writing connotation of multiculturalism. With the integration of media and the integration of techniques and techniques, the author takes the form of image composition as the main form and skeleton of watermark woodblock texture as the main form of painting Presenting contemporary ink painting in the creation of natural ecology and humanistic care and multicultural integration of the issue, with hundreds of thousands of ideas at random move as a bird free placement and media multi-faceted thinking. This series of works in the “native image ” as a theme, integration of Taiwan native