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在经历了艺术市场的全面冲击之后,在数码化成为图像生产的主要方式之后,随着当代艺术价格泡沫的破灭,也随着数码图像空前的泛滥,中国当代摄影对自身的认识似乎正在缓慢地恢复某种理性,对图片价值的追问,以及通过这一追问重新评判摄影的历史使命,再次成为摄影界中那些真正具有自我意识的人们的内在目标,从而推动了对摄影的反思。反思的目标,概括起来就是:回归摄影自身。最早体现这种反思的是对一种古老
After the full impact of the art market, digitalization has become the main mode of image production. With the burst of the price bubble of contemporary art and the unprecedented proliferation of digital images, Chinese contemporary photography seems to be slowly understanding itself The restoration of some rationality, the questioning of the value of the picture, and the historical mission of reevaluating photography through this quest are once again the intrinsic goals of those who are truly self-conscious in the photographic world, thus contributing to the reflection on photography. The goal of reflection, summed up is: return to photography itself. The earliest manifestation of this reflection is an ancient one