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有清一代书法的最大成就便是炽盛一时的碑学及其书法,从书学理论至艺术实践,大大地改变了千年来帖帖沿袭的格局,将书法中所蕴含的恢宏气势、伟岸高古与博大雄阔的气象一览无余地显扬出来,与秦汉时期的高古书风遥相呼应,对峙而成双峰,彪炳书史。碑学与碑派书法之勃兴源于乾嘉朴学而印证于书法。朴学中坚阮元《南北书派论》与《北碑南帖论》一经奏响碑派序曲,辅以邓石如、伊秉绶等名动朝野的碑
The greatest accomplishment of the calligraphy of the Qing Dynasty is the flamboyant moment of calligraphy and calligraphy. From the book theory to the practice of art, it has greatly changed the lineage pattern of the past thousands of years. The magnificent momentum implied in calligraphy, With broad and magnificent weather at a glance unobtrusively, and Qin and Han Dynasty echoes of ancient books echoed, the confrontation into a bimodal, Bianbing Shu history. Beibei and Beitei calligraphy booming originated from Qian Jia Park learning and proof in calligraphy. Park Ngok Nguyen Ruan Yuan “North and South School School” and “Bei Bei Nan Tielun” played a Beilian Overture, supplemented by Deng Shiru, Yibingshou and other famous move the monument