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一韩国唱剧是其本民族独角戏板苏利寻求现代化的产物。农耕时代,韩国没有像中国那样发达的戏曲,只有一种叫板苏利的独角戏。板苏利被韩国学者认为起源于祝祭活动,大约成形于17世纪末到18世纪初,主要演出场地为厅堂、庭院与村头,由一人击鼓伴奏,一人说唱,叙述和表演故事,唱腔以呜咽悲凉取胜,19世纪经知识分子整理,现存《春香传》《沈情歌》《朴打令》《兔鳖歌》《赤壁歌》和《横负歌》六个经典唱本。[1]作为一种文学
A Korean operetta is a product of the pursuit of modernization by Solitari, one of its nationalities. During the farming era, South Korea did not have the same opera as China, but only one kind of one-man show called Sully. Sully was recognized as a scholar of Korean scholars originated in the ceremony, the formation of the late 17th century to early 18th century, the main venue for the hall, courtyard and village head, accompanied by one drum beat, one rap, narrative and performance of the story, singing to sob Desolation and desolation, the 19th century by the intellectuals order, the existing “Chun Xiang Biography” “Shen Song” “Park Order” “rabbit turtle song” “Red Cliff Song” and “Wang Heng Song” six classic song. [1] As a kind of literature