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We have studied“Metro Etudes”—the work of Pierre Schaeffer in this paper, and exploited the proposal of the concept of “concrete music”. We discuss the basic concepts and characteristics of the current electroacoustic musics profoundly, analysis their development and current situation, explain the distinctions and connections between the electroacoustic musics and the traditional ones. We propose the viewpoint that the electroacoustic music is a“subversion”and simultaneously an inheritance to the traditional one. We also propose a series of viewpoints. Finally,we predict the future development of electroacoustic musics in China.
We have studied “Metro Etudes ” - the work of Pierre Schaeffer in this paper, and exploited the proposal of the concept of “concrete music ”. We discuss the basic concepts and characteristics of the current electroacoustic musics profoundly, analysis their development and current situation, explain the distinctions and connections between the electroacoustic musics and the traditional ones. We propose the viewpoint that the electroacoustic music is a “subversion ” and simultaneously an inheritance to the traditional one. We also propose a series of viewpoints Finally, we predict the future development of electroacoustic musics in China.