《赵阎王》、《绅董》和《原野》的表现主义特点曾受到学界的关注。评论界有一个主要趋向是:三部作品在形式技巧上取法于表现主义,但在思想主题上还是现实主义的。这就等于否认它们具有表现主义精神。笔者通过细读文本,认为这样的观点值得商榷,也拟在此文中以文本自身去见证其表现主义精神所在。 The expressionism features of “Zhao Yan Wang”, “Shen Dong” and “Wilderness” have drawn the attention of scholars. One of the main trends in the critics is that the three works are formalistic in form and technique but are still realistic in their thematic themes. This amounts to the denial of their expressionist spirit. Through careful reading of the text, the author believes that such a point of view is questionable and also intends to witness the spirit of expressionism in the text by itself.