《回家》是哈罗德·品特戏剧中最重要的作品之一,它以“品特式”的手法描绘了住在伦敦北工业区的麦克斯一家的生存状态与欲望。本文通过对《回家》中女性形象的深入分析,展示了城市边缘底层社会人们微妙而复杂的内心情感,在一种逼近日常真实和荒诞的秩序人伦中,揭示出城市底层女性的身份宿命,以及她们的成长轨迹和欲望表达方式。 Home is one of the most important works by Harold Pinter. It depicts the existence and desires of the Max family living in the North Industrial Zone of London in a “Pinot Noir” style. Through the in-depth analysis of the female images in “Going Home”, this article shows the subtle and complex inner feelings of the people in the bottom of the urban fringe, revealing the fate of the urban bottom women in a kind of orderly human relations approaching daily truth and absurdity, As well as their growth path and desire expression.