中国人在生死观上的灵魂不灭论,在丧葬仪式上以戏剧扮演的形式得到充分的展现。仪式与戏剧存在本质的鸿沟,即参与性与审美性之别,但法事戏偏偏在丧葬仪式中衍生,其原因一方面在于丧仪需要戏剧的参与来疏解悲伤与恐惧的情感,更重要的是,丧仪本身就存在戏剧生长的空间。在丧仪中诞生戏剧,有其独特的原因与特性。 The concept of immortality of the Chinese people in life and death is fully demonstrated in the form of drama in the funeral ceremony. There is an essential gap between ritual and drama, that is, the difference between participation and aesthetics. However, the reason why the ritual is derived from funeral rites is that on the one hand, funeral requires the participation of drama to ease the emotion of sadness and fear, and more importantly , Funeral itself there is room for dramatic growth. The birth of drama in funeral, has its unique reasons and characteristics.