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从十九世纪早期第一本文学杂志出现开始算起,在上百本文学杂志中选择几本讲述实在是非常困难的事情,文学杂志的内容和风格与它所选择的作家及文章一样难以言传和归类,需要极其敏感和丰富的心灵才能体会。与早期书评、诗歌、评论在杂志中占主要角色不同,随着一波又一波“文学已死”的说法和文学流变,一批又一批文学杂志选择政治、文化评论道路,迎合大众对“itdoesmatter”的需要,似乎只有NewYorkers,TheAtlantic这种“文学性杂志”才能为大众所熟知,保留文学这“无关现实痛痒”之物的神光。
From the very beginning of the first literary magazine in the early nineteenth century, it has been very difficult to choose from a few hundred literary magazines. The content and style of literary magazines are as hard to say as the writers and articles of their choice And classification, need to be extremely sensitive and rich in mind to understand. With the early book reviews, poetry, commentary in the magazine plays a major role in different, with wave after wave of “literary dead” rhetoric and literature, after another batch of literary magazine selection of political and cultural comment on the road, To cater to the public’s need for “itdoesmatter ”, it seems that only NewYorkers, TheAtlantic such “literary magazine” can be well-known to the public, retaining the literary “unrelated reality”.