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月亮,是中国文艺作品中出现频率极高的词汇,在诗词歌赋中,月被中国文人普遍寄予了无限的情意与思量,并被赋予了许多美好的代称:蟾宫,冰蟾,玉盘,玉兔,婵娟,冰轮,金镜,素娥等等,并以其阴晴圆缺的变化入诗句中,弦月,蛾眉,残月,狼牙,以象征人生变换,世事无常,月亮在诗歌中的永恒,孤独,思念与别理,充满中国文化的空灵高洁之美。这种“月文化”与中国独特的文化背景有着莫大的关联。同样,西方文化的语境下,月亮也拥有其独特的
The moon, which is the most frequently occurring word in Chinese literary works, was widely placed in the genre of poetry by Chinese literati in the midst of the infinite affection and contemplation. It was endorsed by many beautiful representatives as: the toad, the ice toad, the jade plate, Moon Rabbit, Moon, Moon, Moon, gold mirror, prime E and so on, and its change of sentiment into the poem, the Crescent Moon, Crescent Moon, Moon, spike to symbolize the transformation of life, impermanence of the world, the moon in poetry Eternal, lonely, miss and other, full of the ethereal beauty of Chinese culture. This “monthly culture” has a great connection with China’s unique cultural background. Similarly, the moon has its own uniqueness in the context of Western culture