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作为一位满族作家,老舍在其作品中塑造了一批鲜活的旗人形象。这些旗人形象可分为三类:“上层”旗人形象、“下层”旗人形象、女性旗人形象。通过这些旗人形象的塑造,老舍艺术地表现了清王朝作为统治基础的八旗制度的衰朽和旗人社会的分化,由此揭示了清王朝最终走向崩溃的必然结局。通过这些人物形象,可以发现老舍对本民族文化既批判又眷恋的矛盾情感。
As a Manchu writer, Lao She created a group of vivid flag people in his works. The banner image can be divided into three categories: “top ” banner image, “lower ” banner image, female banner image. Through the image of these banner people, Lao She artistically demonstrated the decline of the banner system of the Qing dynasty as the ruler of the Qing dynasty and the differentiation of the bannerman society, thus revealing the inevitable ending of the collapse of the Qing dynasty. Through these characters, we can find out the contradictory feelings Lao She has both criticized and attached to her own culture.