论文部分内容阅读
中国美术的时代性离不开艺术家自觉的艺术思考与艺术实践,时代对艺术产生的巨大动力有目共睹,而艺术对时代精神的塑造也从未停止过。本期刊发庄程恒《诗画模式的现代转型——关山月晚年花鸟画研究》,文章通过对关山月晚年花鸟画作品的梳理,结合他晚年的诗文及艺术理念,揭示了他的人文情结和对传统花鸟画寓意的现代表达。邱正伦《当代美术理论的自主性表达》,围绕当代美术理论的热烈讨论,针对中国当代美术理论的现状、潜在性危机及新的指向等一系列问题,力图从当代中国美术理论的自主性表达或本土文化视角展开相应思考。朱金华《形式与观念的樊篱——也谈当代建筑的矛盾性》指出,中国当代建筑发展的关键在于确定传统文化的重心,吸收外来文化的优秀成果,结合时代技术材料特征,实现形式与观念之间的对接,创造出富有民族特色、体现文化核心价值的成果。
The era of Chinese art can not be separated from artist’s artistic thinking and artistic practice. The great momentum of art in the times is obvious to all. However, the art’s shaping of the spirit of the times has never stopped. This issue of Zhuang Chengheng, “Modern Transformation of Poetry and Paintings - A Study of the Flower and Bird Paintings in the Late Tang and Song Dynasties”, through the combing of the flowers and birds paintings in the late Tang and Song Dynasties, combined with his later poetry and artistic ideas, reveals his Humanistic Complex and Modern Expression of Traditional Flower and Bird Painting. Qiu Zhenglun’s “Autonomy Representation of Contemporary Art Theory” focused on the heated discussion of contemporary art theory, aiming at the current situation, potential crisis and new pointing-out of contemporary Chinese art theory, trying to express from the autonomy of contemporary Chinese art theory or Local culture perspective to start the corresponding thinking. Zhu Jinhua’s Fragments of Form and Idea - On the Contradiction of Contemporary Architecture also pointed out that the key to the development of contemporary Chinese architecture lies in determining the center of gravity of traditional culture and absorbing the outstanding achievements of foreign cultures. Combining with the characteristics of technological materials in the era, the realization of forms and concepts Docking, to create a rich national characteristics, the core values of cultural achievements.