一、为何写生古人作画讲究“外师造化、中得心源”。所谓“外师造化”,即以大自然为师,深入研究、体察、感悟,深刻了解其外在特征和内在规律,从而心读默记,烂熟于心,达到胸有成竹的地步。而后染翰,纵情挥洒,借物咏情,状物言志。文人士大夫或风流才子多以是为才,以是恃才。这也是自古以来经过实践验证的通往艺术最高峰的必由之路。 First, why painting the ancients pay attention to painting “good fortune, in the heart of the source.” The so-called “good fortune for teachers,” that nature as a teacher, in-depth study, observation, perception, a profound understanding of its external characteristics and internal laws, so heart read silent, overripe in mind, to the point where they have confidence. Then dyed John, indulge sway, by the material Yong Yan, the state of things. Literati doctor or romantic genius and more so as talent, so parents only. This is the only way that has been proven since ancient times to reach the highest peak of the arts.