十四世纪文艺复兴时代的意大利,随着人文主义思想的发展,古典主义的复兴,对自然美的发现以及重视处理空间艺术新方法的完善,对人体比例的关注等,从而诞生了新的艺术风格,产生了众多不朽的作品,达到了欧洲绘画艺术的第一次顶峰。 随着意大利资本主义发展,新兴的意大利资产阶级一开始就努力发展新文化,其捷径是接受古典文化遗产。瓦萨里(1551——1574)在其《美术家列传》中提出了经典式的定义,并普遍得到了应用。复兴古典文化的思潮在造型艺术领域产生的影响是可以从十二世纪托斯卡纳的建筑和十三世纪的雕刻上看出来。文艺复兴运动粉碎了中世纪以神为中心的精神 The fourteenth century, the Renaissance Italy, with the development of humanism, the revival of classicism, the discovery of natural beauty and the importance of dealing with the improvement of new methods of space art, the proportion of human concern, etc., which gave birth to a new artistic style , Has produced many immortal works, reached the first peak of European painting art. With the development of capitalism in Italy, the new Italian bourgeoisie, at its very beginning, worked hard to develop a new culture. Its shortcut was to accept classical cultural heritage. Vasari (1551--1574) proposed the classical definition in his “Biography of Artists” and has generally been applied. The influence of revival of classical culture in the field of plastic arts can be seen from the Tuscan architecture of the 12th century and the sculpture of the 13th century. The Renaissance movement shattered the spirit of God-centeredness in the Middle Ages