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本文对清代京剧文学在戏曲文学史上的独特意义进行了探究 ,认为京剧文学和元杂剧、明清传奇一样 ,是戏曲文学在清代中期以来的收获 ,对清代京剧文学应该给予相应的认识高度 ;并对清代京剧文学的总体特色及其产生的社会背景与文化内涵予以分析探讨 ;同时 ,本文还回顾了二十世纪以来钱穆、徐凌霄等学术大家对京剧文学深刻的认识研究。
This paper explores the unique significance of Peking Opera literature in the history of opera literature in the Qing Dynasty. It holds that Peking Opera literature, like that of Yuan Dynasty and Ming and Qing dynasties, is the harvest of opera literature since the middle of the Qing Dynasty and should be given a corresponding understanding of the Peking opera literature in the Qing Dynasty. It also analyzes the general characteristics of Peking opera literature in the Qing Dynasty and its social background and cultural connotation. At the same time, this essay reviews the profound understanding of Peking Opera literature by scholars such as Qian Mu and Xu Lingxiao since the 20th century.