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科林伍德在《艺术原理》中界定了“艺术”的概念,强调了“想象”在经验结构中的地位,大量概念和术语的运用为理解其理论体系间的关系设置了障碍。本文着眼于情感表现与艺术想象的交叉点,从相对性的视角提供了新的阅读和阐释方式。
Collingwood defined the notion of “art” in the “principle of art”, emphasized the position of “imagination” in the empirical structure, and the application of a large number of concepts and terms set the obstacle in understanding the relationship between his theoretical systems. This article focuses on the intersection of emotional expression and artistic imagination, providing a new way of reading and interpreting from the perspective of relativity.