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黑月(季胜利)自1995年将其作品画面中的记号“123”提取为谱系化的标题以来,这一谐谑又暧昧的符码就一直伴随他带有后波普(Post-popArt)的前倾姿态,潜行周旋于转介(Detournement)的有效方法,在主体意识的深层,在社会——文化转型所“给定的背景”及其泡沫和幻象中,发掘否定性、訾议性的视觉经验,因而使这一具有串联、隐索、摘要、补遗的反讽作用的符码,衍生了过人敏感之处,
Black Moon (Qu Shengli) This banter and ambiguous code has been accompanied by his Post-popArt-like signature since 1995, when the symbol “123” in his artwork is extracted as a pedigree Forward posture, and sneaking into Detournement. In the deep sense of subject, in the “given background” of the socio-cultural transition and its bubble and illusion, it explores the negative and the prophetic Visual experience so that the code of irony with concatenation, hint, abstracts and addenda leads to extraordinary sensitivities,