如果我们说有些艺术具有让我们获得某种感官愉悦,并能享受日常生活的特点,那么汤志义的艺术则与这特点本质上是相背离的,如同像一个混迹于俗世中的清客,似乎放弃了对公认的以真实美感为摹本追求,而将日常的瓶瓶罐罐作为长时间单一的表现对象,并为此苦心经营。这种将司空见惯的盆、碗、干花和椅凳作为创作主题,可以追溯到十七世纪佛兰德斯老扬·勃鲁盖尔的静物画;创作方法论问题与现代主义理念对现代平面构成的分析有着千丝万缕的关系,这种将单一现实解构成点、线、面纯粹关系,仿佛是对古典主义文化精 If we say that some art has the characteristics that allow us to obtain some sense of pleasure and enjoy daily life, then Tang Chih-yi’s art is essentially deviated from this feature, just like being like a metropolis who has been alienated from the earthly world and seems to give up The pursuit of the real aesthetic as a copy of the recognized, and the daily bottle of cans as a single long-term performance of the object, and to this end painstakingly. The theme of pots, bowls, dried flowers and stools that are commonplace can be traced back to the life of Flemish Lao Young Bruegel in the 17th century; the problem of the method of creation and the modernist concept of composition Analysis has inextricably linked, this will be a single reality solution point, line, surface pure relationship, as if the essence of classical culture